There’s something awe-inspiring when fiction (especially time-travel) and non-fiction (actual historical events) criss-cross. Begun in 1995, but left unfinished following Christopher Reeves riding accident, I’d heard five or six years prior about how ‘Somewhere in Time,’ screenwriter/author Richard Matheson, came up with his story-line.
In 1975, while visiting Piper’s Opera House in Virginia City, Nevada he saw a photograph of the late actress Maude Adams. Having become smitten with her, and using her penchant for reclusiveness as a focal point, he created Elise McKenna, Richard Collier and William Fawcett Robertson.
However, and since Robertson’s character never came with a full backstory and odd things were said by and about him, I’ve always fancied him a time-traveler, too. Thus, I created a new story-ending some 24-years in the making (or is it 39-years…)
Robertson stood quietly beside the partially opened door, allowing only a fracture of light from the hallway to stab its way into the vacant hotel room. He knew Collier would be walking by at any moment, all he had to do was listen.
Collier’s steps were heavy on the stairway and even heavier as he rounded the corner leading to the main hallway. Robertson palmed the penny in his left hand and waited for the younger man to pass by.
Suddenly, Robertson sprang on Collier, striking him hard in the head with his right fist. The blow, though landing directly against Collier’s temple, did not immediately knock the man down as intended.
Robertson fell on top of Collier, striking him again and again. It was not Robertson’s intent to inflict harm on the man, rather to simply keep him confused so as to slip the coin into one of the man’s pockets.
Having finally succeeded, Robertson stood up and backed away. To his surprise, Collier rushed him, fists swinging.
One of the blows struck Robertson in the jaw, driving him backwards and to the carpeted floor. His head swimming, all he could see was the younger man towering over him, directing him to get up and fight or perhaps instructing the dazed man to stay away.
It did not matter to Robertson what the message was as he rolled over and using the wall, climbed to his feet and stumbled towards the lift at the far end of the opposite hallway. As he retreated, the ringing in his ears subsided and he could suddenly hear Elise crying from someplace behind him.
This was Robertson’s fifth jump into the past. He knew that there was no way to know how he might have altered Miss McKenna’s future, until he returned to his own time.
Once outside and far enough away from the Grand Hotel and the possibility of being seen, Robertson withdrew another coin from his pocket and held it up so that the reflective glow of the moon fell upon its shiny face. Robertson first looked at the great man’s profile, Abraham Lincoln, then to the date, ‘1979.’
He felt the uncomfortable pull of gravity and the dizzying slide in his mind as he twisted backward to the date on the copper-colored penny. He soon awoke in the deep-underground Laboratory Nine of Area 51 in southern Nevada, having returned from 1912 and laid there looking up at the several faces of the many concerned scientists.
After a few hours of rest, Robertson readjusted to the confusing effects of moving between space and time. The journeys back-and-forth had left a toll on him and he was informed that he would never again be allowed to travel either forward or backward in time again as it may cost him his sanity, since the process used nothing more than the mind and self-hypnosis.
“I’m sorry,” Project Director Matheson said, “But we still weren’t able to redirect the past, creating a different future for McKenna. Seems her fame piqued and she faded into obscurity exactly as she always has following the last four jumps.”
“Well, we gave it a good shot,” Robertson relied, “I’m happy to know that mankind is still far to small to have any real effect on the world’s outcome, either now or in the past. Any idea yet on how Collier is making his jumps?”
“Me, too,” Matheson said, as he looked over the pages of compiled notes, before answering, “There’s a rumor that he’s freelancing, using a book by Jack Finney called ‘Time and Again,’ as some sort of instruction manual.”
“Finney, the sci-fi novelist?” Robertson said with an air of incredulity, before adding with a smile, “You know, with a good writer and editor, all of this would make a damned good piece of science-fiction work.”
Matheson snickered, “Yeah, maybe.”
“You could call it, ’Bid Time Return,’” Robertson grinned.
“That’s what I like about you — you’re always thinking ahead,” Matheson said, looking up at the man entering the room behind Robertson.
The time-traveler never heard the man, nor the explosion the bullet made as it blasted from the barrel of the gun, piercing the back of his head. History would never recall his name.