Washoe City was no stranger to violence, but the cold-blooded shotgun killing of the stage driver and guard was something else entirely. The town was stirred to its core when Noah Hale, a rough-edged but respected ranch hand, was accused of the crime.
With little more than circumstantial evidence and whispers of his temper, Hale was convicted, sentenced to hang, and left to rot in the jailhouse as the gallows rose plank by plank in the town square. In the condemning crowd, one stood out in quiet curiosity—Lucinda “Lucy” Merritt.
Lucy had grown up in Washoe City, only to leave for Carson City as a young woman, determined to find a life beyond the dust and brawls of her childhood. But after her father passed, she returned, taking up residence in her family home.
Though sharp-witted, Lucy knew better than to press too hard, especially when questioning men. Instead, she played her part as a demure and unassuming woman, choosing her words carefully and feigning naivety when needed.
The morning after the conviction, Lucy wandered down the street. Gathered on the boardwalk sat a cluster of men.
“Ain’t right to let him sit there much longer,” drawled Jed Morrow, a wiry rancher with a crooked hat. “Man’s guilty as sin.”
Lucy tilted her head and offered a small, hesitant smile. “Oh, Mr. Morrow, you’re probably right, but… I was just wondering… how do we know for sure? I mean, I’m not too clever about these things, but wasn’t it done with a shotgun?”
Jed scowled. “Proof enough. He was seen near the stage that mornin’, and everyone knows he’s got a grudge against Otis Cromwell. That’s reason enough for me.”
Lucy clasped her hands and looked down, embarrassed. “Oh, I suppose that makes sense. It’s just… well, doesn’t Mr. Hale use pistols? I thought only a few folks around here had shotguns.”
Sam Tolliver, the grizzled blacksmith sitting with his back against the wall, nodded. “That’s right.”
Lucy glanced up at him with wide eyes. “Really? Oh, Mr. Tolliver, you’d know. How many shotguns are there in town? Six, isn’t it?”
Sam nodded again. “Six.”
“Oh dear,” Lucy said softly as if the thought had only now occurred to her. “So… if Mr. Hale doesn’t own one, where could he have gotten it? And where is it now?”
The men fell silent as Lucy’s innocent-sounding question hung in the air. Sheriff Ben Calhoun, sitting quietly nearby, leaned forward.
“You treadin’ dangerous ground, Miss Merritt,” he said gruffly. “We’ve got a man set to hang, and I don’t take kindly to folks stirrin’ up trouble.”
Lucy’s cheeks turned pink, and she looked down quickly. “Oh, I’m sorry, Sheriff. I didn’t mean to stir trouble. I just… I suppose I shouldn’t have said anything.”
The conversation shifted after that, but Lucy’s soft-spoken words lingered in the minds of the men around her.
Meanwhile, Noah Hale sat in his cell, listening to the sounds of hammering and sawing as the gallows took shape outside. He’d long since given up shouting his innocence—it had done no good during the trial.
When Lucy appeared at his cell door, guitar in hand, he couldn’t help but chuckle bitterly. “What’s this?”
Lucy smiled shyly, brushing a strand of hair from her face. “I just thought… well, it’s noisy, and I thought maybe this would help.”
Noah took the guitar with a raised eyebrow. “Much obliged,” he said, strumming it once before frowning. “This thing’s got a rattle to it.”
“Oh dear,” Lucy said, her brow furrowing. “I… I hope it’s still playable. I must have jostled it on the way over.”
Noah gave her a long look but said nothing. He began to pick out a tune, the sound carrying faintly over the construction noise. Lucy lingered for a moment before disappearing into the front office.
As Lucy left the Sheriff’s Office, Abigail Harper, a widowed seamstress, was bringing a cake into the jail. Sheriff Calhoun intercepted her at the door, his face red with anger.
“Abigail,” he barked, “you think I don’t know about the four files you bought from the mercantile last week?”
Abigail’s face turned scarlet. “Files? Sheriff, I don’t know what you’re talking about.”
“Don’t play coy with me,” he snapped. “You’re trying to help Hale escape. I ought to search you right here and now.”
Instead, he stuck his hand into the cake and removed the two files baked into the destroyed cake, holding them up.
Lucy stepped forward, her voice soft and soothing. “Oh, Sheriff, please. I’m sure Mrs. Harper didn’t mean any harm. It was probably just… oh, I don’t know… a misunderstanding?”
Calhoun glared at her but backed down, muttering as he returned to his desk. Abigail shot Lucy a grateful look before hurrying away.
Lucy’s gentle persistence led her to Otis Cromwell. She visited him at the bank, her demeanor sweet and unassuming.
“Mr. Cromwell,” she began hesitantly, “I… I was just wondering about something. I know it’s silly, but… the money that was stolen… it was yours, wasn’t it?”
“Yes,” he smiled.
“But…well…I thought if you were to send money, gold, or whatever by stage, it isn’t yours anymore but becomes property of the stage line, so they can insure it against… say theft.” she said.
Otis frowned. “What’s your point, Miss Merritt?”
“Oh, no point!” she said quickly, her hands fluttering nervously. “I just… well, I thought that was odd. I… I probably shouldn’t have mentioned it. Please forgive me.”
Otis flustered, but Lucy’s wide-eyed innocence disarmed him. She left before he could respond.
That night, chaos erupted. Noah Hale escaped from his cell. The bars of the window filed clean through. The guitar lay abandoned on the floor, its secret now clear.
By morning, Lucy was gone too. The townsfolk buzzed with rumors—had she run off with the outlaw? Sheriff Calhoun refused to answer.
Abigail Harper smiled when Jed Morrow came to her door to pick up a shirt and tell her the news.
When the gathered crowd of hundreds demanded justice, the town obliged. Otis Cromwell was dragged to the gallows, protesting his innocence until the noose tightened around his neck.