Finding the Present in Empty Space

For years, I’ve been a time traveler of sorts. My mind has lived in the sepia-toned landscapes of memory, tracing the delicate architecture of what was.

I’ve wandered through blue-lit futures, sketching possibilities and speculations on worlds not yet born. Past and future, these were my native lands, familiar territories where I knew how to navigate, and then I tried to write about today.

I sat at my desk, the cursor blinking on a blank page like a tiny, insistent heartbeat. Outside my window, the world was happening.

Cars passed, people walked their dogs, our neighbor’s wind chimes sang their metallic song. But on the page? Nothing. The present moment, when I tried to capture it, dissolved like smoke through my fingers.

The past was easy. It had shape, form, and conclusion, memories already edited by time, polished into narratives with beginnings and ends.

I could cherry-pick meaningful moments. Arrange them into stories that made sense of chaos.

The future was even easier. It was a canvas of pure possibility. I could extrapolate, imagine, and build worlds. The future was forgiving, malleable, unconstrained by the messy limitations of reality.

But the present? The present is a paradox.

It is everything and nothing all at once. It is too vast to capture and too fleeting to hold.

It is the wind chime singing its song, the taste of my cooling coffee, the ache in my lower back, the distant wail of a siren, the hum of the refrigerator, the dust motes dancing in the slanted afternoon light. It is all of it, all at once, an overwhelming, uncurated avalanche of now.

How could I possibly write about that?

I closed my laptop and went for a walk. I needed to escape the tyranny of the blank page, the pressure to capture everything and capture nothing. I walked without a destination, letting my feet guide me through the familiar streets of my neighborhood.

I passed the old tree at the corner. I’ve written about that tree before.

In a story about the past, it was the tree where I had my first conversation with a future neighbor, its bark a silent witness to my awkwardness. In a story about the future, it is a relic, preserved behind a force field in a world where natural things have become precious artifacts.

But today? Today, it was just a tree. A big, beautiful tree with leaves starting to blossom. A squirrel scurried up its trunk, a plastic bag caught in its lower branches, someone had carved a heart with initials into its bark—J+L, maybe? Or J+I? It was hard to tell.

I kept walking. I passed the tavern where I used to write every morning before the pandemic. In my memories, it was a cozy haven, the comfortable chair by the window that was always somehow free. In a story about the future, it was either a fully automated kiosk or a historical reenactment of what a saloon used to be like.

But today? Today, it was just a coffee shop. The bartender was new, a young person with purple hair and a nose ring who seemed bored and indifferent. In the comfortable chair by the window, a man sat staring intently at his laptop.

I kept walking. I passed the playground where I used to take my son. In my memories, it was a place of pure joy, his laughter echoing as he went down the slide again and again. In a story about the future, it was either abandoned, deemed too dangerous for children who spent their lives in virtual reality, or it was a high-tech marvel of safety and stimulation.

But today? It was just a playground. No children were playing, and no parents sat chatting on nearby benches like they used to. The one person there was staring at their phone. The slide is still there, but it is quieter now, more contained, as if it knows better than to draw too much attention to itself.

Further down, I stopped and sat on a bench. I watched the birds chasing each other, battling for the worm. I watched the clouds, the wind stirring the high grasses. I watched the world as it happened, right here, right now.

And I realized something. The problem wasn’t the present.

The problem was my expectations. I was trying to write about the present the way I wrote about the past and the future.

I was looking for the story, the narrative, the meaning. I was trying to shape the present into something it wasn’t.

The present isn’t a story. It’s not a memory or a speculation.

It’s a sensation, a perception. It’s the specific, particular, unrepeatable experience of being here, now.

Suddenly, I realized that I didn’t need to capture everything and make sense of it all. All I needed to do was notice one thing, one small, specific, particular thing.

Like the way the light hit reflected in a nearby mudpuddle, creating a pattern of shimmering diamonds that danced and vanished before my eyes. Like the sound of a dog’s bark, cut short by its human’s sharp call, or the feeling of the bench beneath me, hard and unyielding, a small anchor in the vast ocean of now.

I pulled out my phone, not to scroll, not to distract, but to write. I didn’t try to write a story.

I didn’t try to capture the essence of the moment or find its deeper meaning. I just wrote what I saw, what I heard, what I felt.

The birds, the clouds, the wind, and the barking dog. How the bench was hard beneath me.

It wasn’t a story, a memory, or speculation. It was just the present, captured in a few simple sentences, and it turned out to be enough.

When I got home, I sat back down at my desk. The cursor was still blinking on the blank page, but less insistent. It wasn’t a demand, but an invitation to notice, to pay attention, to be present.

I didn’t try to write about everything. I didn’t try to make sense of it all.

I just wrote about one thing. One small, specific, particular thing.

The coffee in my mug had gone cold. The condensation had left a ring on the coaster, an imperfect, irregular, small map of nowhere.

And that was my story. Not the whole story, not the only story, but a story nonetheless.

A story about the present. A story about now.

Have you ever found yourself struggling to capture the present moment, only to realize that the key was to notice something small and specific rather than trying to capture everything at once?

Comments

One response to “Finding the Present in Empty Space”

  1. Michael Williams Avatar
    Michael Williams

    yes, this is the core of my journey of self-taught videography. I have also concluded – ironically – that the specific is what articulates the world, the world itself has too much noise to articulate a clear message and relies on the focus. Mike

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